, ma anche gli storici e i filosofi. Il nome di questo Dio in greco è
Pan
che significa tutto ; e gli antichi Mitologi basa
an d’accordo (e vi si unisce anch’egli) nella etimologia della parola
Pan
e nel simbolo indicato da questo Dio che, cioè, s
greche, perchè greca è l’origine di questo aggettivo al pari del nome
Pan
da cui deriva, e perchè quel celeberrimo oratore
quam panicus terror est). 9. I Latini usarono lo stesso greco nome
Pan
, declinandolo anche alla greca col gen. in os e l
a Panis diligentissime descripserunt. » E poco più oltre aggiunge : «
Pan
(ut et nomen ipsum etiam sonat), universitatem re
o (io pasco) ; e che pan è perciò una contrazione di paon. 11. «
Pan
primus calamos cera conjungere plures « Institui
. 11. « Pan primus calamos cera conjungere plures « Instituit ;
Pan
curat oves oviumque magistros. » (Virg., Ecl., i
a temple was built and dedicated to him. Cap′ri′pedes [Capripedes].
Pan
, the Egipans, the Satyrs, and Fauns, were so call
oat. They were very similar to the Satyrs. The Fauns attended the god
Pan
, and the Satyrs attended Bacchus. Favo′nius [Fav
g corn. Hunger, see Erisichthon. Hunting, see Diana. Huntsmen, see
Pan
. Hyacin′thus [Hyacinthus] was a boy greatly love
Erostratus. Incense, see Venus. In′cubus [Incubus]. A Roman name of
Pan
, meaning The Nightmare. See Innus. Indig′etes [I
he winds and thunder. Infants, see Natio. In′nus [Innus]. A name of
Pan
, the same as Incubus. In′o [Ino], second wife of
ounds. Also the river in Arcadia to which Syrinx fled when pursued by
Pan
, where she was changed into a reed, and where Pan
led when pursued by Pan, where she was changed into a reed, and where
Pan
made his first pipe. Læ′laps [Lælaps]. One of Di
ate. Also, the Italian goddess of the moon. Lu′percus [Lupercus], or
Pan
. The Roman god of fertility; his festival day was
Troy. Memory, see Mnemosyne. Men′des [Mendes]. An Egyptian god like
Pan
. He was worshiped in the form of a goat. Menela′
, being appointed to be judge in a musical contest between Apollo and
Pan
, gave the satyr the palm; whereupon Apollo, to sh
or Mercury, Inspire me that I may this treason find.” Shakespeare.
Pan
. The Arcadian god of shepherds, huntsmen, and cou
have been derived from this episode. The Fauns, who greatly resembled
Pan
, were his attendants. “Piping on their reeds the
representative of Vishnu. Ram’s Hide, see Golden Fleece. Reeds, see
Pan
, also Syrinx. Rem′bha [Rembha]. The Hindoo godde
Dionysus, and were similar in most respects to the fauns who attended
Pan
. See Silenus. “Five satyrs of the woodland sort.
ewers, see Cloacina. Sharp-sightedness, see Lynceus. Shepherds, see
Pan
. Shields, see Ancilia. Ships, see Neptune. Sil
yrinx. The name of the nymph who, to escape from the importunities of
Pan
, was by Diana changed into reeds, out of which he
; These were the lurking Satyrs, a wild brood Of gamesome deities; or
Pan
himself, The simple shepherd’s awe-inspiring god.
um: Roscher 2: 292.] § 47. The Lesser Divinities of Earth were: — (1)
Pan
, son of Mercury and a wood-nymph or Dryad. He was
and appal the mind. Hence sudden unreasonable fright was ascribed to
Pan
, and called a Panic terror. Fig. 24. Youthful
them, but was a faithful worshipper of Diana, and followed the chase.
Pan
, meeting her one day, wooed her with many complim
for help on her friends, the water-nymphs. They heard and consented.
Pan
threw his arms around what he supposed to be the
cated to Leigh Hunt, by Keats, the following allusion to the story of
Pan
and Syrinx occurs: — “So did he feel who pulled
yrinx fled Arcadian Pan, with such a fearful dread. Poor nymph — poor
Pan
— how he did weep to find Nought but a lovely sig
ssages of love with nymphs and maidens of mortal mould. § 83. Apollo,
Pan
, and Midas. 155 — It is said that on a certain oc
. Apollo, Pan, and Midas. 155 — It is said that on a certain occasion
Pan
had the temerity to compare his music with that o
and cleared away the trees from his ears to listen. At a given signal
Pan
blew on his pipes, and with his rustic melody gav
s). [Statue in the Vatican: Roscher 463.] In the following “Hymn,”156
Pan
taunts Apollo as he might have done when Midas wa
nd tutor of young Bacchus was the pot-bellied, jovial Silenus, son of
Pan
and a nymph, and oldest of the Satyrs. Silenus wa
wealth and splendor, dwelt in the country, and became a worshipper of
Pan
, the god of the fields. But that he had not gaine
yths of the Lesser Divinities of Earth, and the Underworld. § 116.
Pan
and the Personification of Nature. — It was a ple
a symbol of the universe and a personification of Nature. “Universal
Pan
,” says Milton in his description of the creation:
Pan,” says Milton in his description of the creation: — “Universal
Pan
, Knit with the Graces and the Hours in dance, Led
he Graces and the Hours in dance, Led on the eternal Spring.” Later,
Pan
came to be regarded as a representative of all th
ist, a deep groan, heard through the isles of Greece, told that great
Pan
was dead, that the dynasty of Olympus was dethron
he truth. Phœbus’ chariot course is run! Look up, poets, to the sun!
Pan
, Pan is dead.” True enough from the philosophica
uth. Phœbus’ chariot course is run! Look up, poets, to the sun! Pan,
Pan
is dead.” True enough from the philosophical poi
nished so long as there is a sun, or a poet to gaze upon it. And that
Pan
is not yet dead, but alive even in the practical
to lips that made The reeds give out that strain impassion’d. ’Twas
Pan
himself had wandered here, A-strolling through th
e steeple. § 117. Of the company of the lesser gods of earth, beside
Pan
, were the Sileni, the Sylvans, the Fauns, and the
. Of the nymphs, the Oreads and the Naiads were immortal. The love of
Pan
for Syrinx has already been mentioned, and his mu
e name and preserves the memory of the son of Cephissus. § 119. Echo,
Pan
, Lyde, and the Satyr. — Another interesting episo
er interesting episode in the life of Echo is given by Moschus: 232—
Pan
loved his neighbor Echo; Echo loved A gamesome Sa
mesome Satyr; he, by her unmoved, Loved only Lyde; thus through Echo,
Pan
, Lyde and Satyr, Love his circle ran. Thus all, w
n-day. Nay, once indeed, I vow By Dian’s truthful brow, The great god
Pan
himself did pass this way, And, all in festal oak
ng fruit.”238 This nymph had scorned the offers of love made her by
Pan
, Sylvanus, and innumerable Fauns and Satyrs. Vert
r”, the swift wind. The invention of the Syrinx is attributed also to
Pan
. Illustrative. — To Mercury’s construction of th
, C. So also for Nymphs and Satyrs. In Art. — The exquisite antique,
Pan
and Daphnis (with the Syrinx) in the Museum at Na
20; Tennyson, Palace of Art, “Holding one hand against his ear,” etc.
Pan
, etc.: Milton, P. L. 4: 707; 4: 329. In Sculptur
r, be just as probable if Mercury (Hermes) were a cloud-driving wind.
Pan
and the Syrinx: naturally the wind playing throug
the wind playing through the reeds, if (with Müller and Cox) we take
Pan
to be the all-purifying, but, yet, gentle wind. B
r Laomedon, his function as god of colonization. § 83. Textual. — For
Pan
, see §§ 47 (1), 116. For Tmolus, § 75. Peneüs: a
; R. Beyschlag’s Psyche with the Urn, Psyche Grieving, and Psyche and
Pan
; W. Kray’s Psyche and Zephyr; Psyche, by A. de Cu
etc.; On Leaving Holland 1: 2. Poems: Fletcher, Song of the Priest of
Pan
, and Song of Pan (in The Faithful Shepherdess); L
Holland 1: 2. Poems: Fletcher, Song of the Priest of Pan, and Song of
Pan
(in The Faithful Shepherdess); Landor, Pan and Pi
Priest of Pan, and Song of Pan (in The Faithful Shepherdess); Landor,
Pan
and Pitys, “Pan led me to a wood the other day,”
nd Song of Pan (in The Faithful Shepherdess); Landor, Pan and Pitys, “
Pan
led me to a wood the other day,” etc.; Landor, Cu
Pitys, “Pan led me to a wood the other day,” etc.; Landor, Cupid and
Pan
; R. Buchanan, Pan; Browning, Pan and Luna; Swinbu
e to a wood the other day,” etc.; Landor, Cupid and Pan; R. Buchanan,
Pan
; Browning, Pan and Luna; Swinburne, Pan and Thala
other day,” etc.; Landor, Cupid and Pan; R. Buchanan, Pan; Browning,
Pan
and Luna; Swinburne, Pan and Thalassius; Hon. Rod
, Cupid and Pan; R. Buchanan, Pan; Browning, Pan and Luna; Swinburne,
Pan
and Thalassius; Hon. Roden Noel, Pan, in the Mode
owning, Pan and Luna; Swinburne, Pan and Thalassius; Hon. Roden Noel,
Pan
, in the Modern Faust. Of course Mrs. Browning’s D
Dancing Faun (Lateran, Rome); The Faun of Praxiteles (Capitol, Rome).
Pan
and Apollo: Græco-Roman sculpture (Museum, Naples
s Shepherd of King Admetus, 131; A. and Laomedon, 136; as a musician,
Pan
, Midas, 136, 137; Shelley’s Hymn of Pan, 137,138;
Laomedon, 136; as a musician, Pan, Midas, 136, 137; Shelley’s Hymn of
Pan
, 137,138; loves of A., Calliope, Cyrene, Daphne,
with both Ammon and Osiris. His counterpart in classical mythology is
Pan
, or, as god of gardens, Priapus. Neith: goddess
.; the Norse and Old German, 392-403. Her′së, sister of Aglau′ros and
Pan
′-drosos, personifications of the dew, daughters o
, 102, 103. Mæn′alus, 138; a range of mountains in Arcadia, sacred to
Pan
. Mæo′nia, 176; Com. § 102, 103. Mæon′i-des: A nat
f ghosts, 81; among the Romans, 88; Argus and Io, 92-94; his story of
Pan
and Syrinx, 93; with Philemon and Baucis, 105; an
s, Com. § 57. Mezen′tius, 356, 359, 363, 364. Mi′das, with Apollo and
Pan
, 136, 137, 174; the choice of M., 180; Com. §§ 83
inerva. Pal′las, son of Evander, 357-364. Pal′las, the Giant, 41, 42.
Pan
, described, 77; Pandæan pipes, 93, 200; contest w
eation of, 44; wife of Epimetheus, 45; her casket, 45; Com. §§ 22-25.
Pan
′drosos, daughter of Cecrops; see Hersë. Pan′o-pe,
asket, 45; Com. §§ 22-25. Pan′drosos, daughter of Cecrops; see Hersë.
Pan
′o-pe, 115; Com. § 70. The Nymph, 526. Pa′phian, C
9, 204. Sympleg′a-des, 246; Com. §§ 144-147 (Interpret.). Sy′rinx and
Pan
, 93, 94, 204; Com. § 47. Syr′tis, 264. T Tæ
at once a masterpiece of classical invention and of poetic execution.
Pan
′o-pe; see p. 518. Also, one of the Nerei′ds (Ilia
139-143, Balaustion’s Adventure; § 107, Eurydice and Orpheus; § 116,
Pan
and Luna; §§ 139-143, Aristophanes’ Apology; §§ 1
Sculptor; § 99, Sappho on the Leucadian Rock; § 107, Orpheus; § 116,
Pan
; § 126, Polypheme’s Passion; § 130, Proteus; § 17
y, Com. § 11. Burne-Jones, E., 1833 (paint.). Com.§ 43, Cupid; § 94,
Pan
and Psyche; § 97, Pygmalion; § 98, Cupid, Pyramus
d’s Tragedy; § 92, The Faithful Shepherdess; § 116, Song of Priest of
Pan
; Song to Pan (Faithful Shepherdess); § 155, The T
§ 92, The Faithful Shepherdess; § 116, Song of Priest of Pan; Song to
Pan
(Faithful Shepherdess); § 155, The Two Noble Kins
Fruit of an Old Tree; § 104, Silenus; § 115, Sonnet on Genius; § 116,
Pan
and Pitys, Cupid and Pan; § 122, Dryope; § 123, T
04, Silenus; § 115, Sonnet on Genius; § 116, Pan and Pitys, Cupid and
Pan
; § 122, Dryope; § 123, The Hamadryad, Æon and Rho
n. Roden, 1834. Com. § 43, Ganymede; § 46, Triumph of Bacchus; § 116,
Pan
(in the Modern Faust); §§ 177-184, Ragnarok (Mode
1594-1665 (paint.). § 56, The Kingdom of Flora; 118, Narcissus; § 59,
Pan
and Syrinx (Dresden). Poynter, E. J., 1836 (pain
. Romano, Giulio Pippi, 1492-1546 (paint.). Com. § 43, Muses; § 116,
Pan
and the Young Olympos (Dresden). Roscher, W. H.
ley, P. B., 1792-1822. Quotations from Hymn of Apollo, 61-63; Hymn of
Pan
, 137, 138; Arethusa, 142-145; Song of Proserpine,
n, Sir R., d. 1669. Com. § 96, transl. Musæus. Stedman, E. C., 1833.
Pan
in Wall Street, quoted, 202-204; Com. § 31, News
e; § 50, To Proserpine; § 105, Song to Proserpine, At Eleusis; § 116,
Pan
and Thalassius; § 151, Itylus; §§ 152-157, Phædra
2-25, Pandora; § 59, Minos; § 62, Semele; § 85, Daphne; § 116, Ode to
Pan
; § 169, Philoctetes; § 170, Orestes. Talfourd, S
f Euripides. 155. Ovid, Metam. 11: 146-193. 156. Shelley, Hymn of
Pan
. 157. § 78. 158. § 79. 159. § 75. 160. § 107
no place in heaven; nor were they admitted to the Council of Jupiter.
Pan
, Pomona, Flora, and the other rural Deities, were
, king of Phrygia, having determined the victory in favour of the god
Pan
, who also contended with Apollo for the prize of
was commanded, by the true God, to do the same in Palestine. The god
Pan
gave Bacchus a dog to accompany him in his travel
ns. They were represented as half men and half goats, Chap. XXII. [
Pan
.] Who was the God Pan? The God Pan held a
suckled by the wolf, in Latin lupus. His priests were called Luperci.
Pan
was also regarded as the inspirer of sudden unfou
s nearly as formidable as that of Medusa. What was the real origin of
Pan
? It was extremely ancient. The Egyptians worshipi
half other animals. To this deity the Greeks gave the appellation of
Pan
, that is, in their language, the whole. What are
ir language, the whole. What are the fictions of the poets concerning
Pan
? The poets relate that Pan was successively in lo
t are the fictions of the poets concerning Pan? The poets relate that
Pan
was successively in love with the nymphs Echo, Sy
d her. Syrinx was a nymph in the train of Diana, and, when pursued by
Pan
, fled for refuge to the river Ladon, her father,
r refuge to the river Ladon, her father, who changed her into a reed.
Pan
, observing that the reeds, when agitated by the w
ing, she was changed into a pine tree, which was afterwards sacred to
Pan
. Milk and honey were offered to this Deity Cha
gious strength, by their motion. Who was the Egyptian Pan? Mendes, or
Pan
, was one of the eight gods who constituted the fi
f what Deities was the council of Jupiter composed? To what order did
Pan
, Pomona, Flora, and the other rural deities belon
uality of the waters of the river Lethe? What was the form of the god
Pan
; what was his musical instrument, and how were hi
andinavian god of evil 204 Lūna, Isis, Diana 44 Lupercālĭa, feasts of
Pan
89 Lŭpērci, priests of Apollo 89 Lymnīădes, marsh
f Pales 87 Pallādĭum, a sacred image of Minerva 54 Pallas, Minerva 53
Pan
, the god of shepherds 88 Panathēnæă, a festival i
ty 88 Pīrĭthŏŭs, the friend of Theseus 113 Pithys, a nymph beloved by
Pan
90 Plūto, the god of the infernal regions 98 Plūt
nia, a Scandinavian deity 203 Syrian idolatry 217 Syrinx, the pipe of
Pan
90 T Tabiti, the chief Scythian god 188 Tān
ur, la nymphe, et le satyre. Midas, roi du pays, le premier y parut :
Pan
, d’un buisson voisin, à la hâte y courut ; Pan, l
, le premier y parut : Pan, d’un buisson voisin, à la hâte y courut ;
Pan
, le dieu des forêts, dont la rustique adresse S’e
prêtent silence. Alors, entremêlant sa flûte avec ses chants, Le dieu
Pan
de ces vers fit retentir les champs : « L’espoir
’art de flatter ; Mais changeant tout-à-coup par un froid stratagème,
Pan
contre le beau sexe insolemment blasphème, Et s’é
accordèrent le prix ; Et, pour rendre sa gloire encore plus complète,
Pan
lui-même tout haut avouait sa défaite. Midas seul
une Aurore. Orion fut placé au rang des astres. On ajoute que le dieu
Pan
, transformé en un bélier blanc, sut attirer la sœ
ur un char à moitié découvert, traîné par des tigres ou par des lynx.
Pan
, dieu des forêts, et le vieux Silène, étaient à s
s des phrases. Avant cette condamnation, Écho avait été aimée du dieu
Pan
, qui ne put réussir à lui plaire. Bientôt après,
rifices dans lesquels ils immolaient un agneau ou une chèvre. Le dieu
Pan
, fils de Mercure et de la nymphe Dryope, était le
arc était d’or, Et souvent toutefois on s’y trompait encor. Le dieu
Pan
l’aperçoit ; il descend des montagnes : « En beau
e trembla, pâlit, et n’en fut que plus belle. Diane la transforme, et
Pan
qui sous les eaux Courait pour l’embrasser, embra
ons qu’il en tire, Naissent les doux accents que la flûte soupire44.
Pan
fut plus heureux avec Pytis ; mais Borée, en étan
és de son sort, la changèrent en pin. Cet arbre fut depuis consacré à
Pan
, qui se plaisait à porter des guirlandes et des c
se plaisait à porter des guirlandes et des couronnes de ses feuilles.
Pan
fut principalement honoré en Arcadie ; il avait u
Sylvains, les Oréades, les Nappées, les Dryades, conduits par le dieu
Pan
, venaient célébrer leurs fêtes joyeuses. Écho s’é
amoureux Sylvains. Tous les dieux des hameaux enviaient sa conquête :
Pan
qui du sombre pin se couronne la tête, Les Faunes
able de décider les questions les plus difficiles. Un jour Apollon et
Pan
firent un défi dont Midas et le Mont Tmolus furen
pour juges. Tmolus, pour mieux les entendre, écarta tous ses arbres.
Pan
joua le premier, ensuite Apollon : Tmolus prononç
iche ignorant et sans goût, préféra les sons rustiques de la flûte de
Pan
aux accords doux et harmonieux de la lyre d’Apoll
vette était Délie ; Ce rossignol, Anacréon. Demoustier.
Pan
Pan, dieu des bergers et des montagnes, une
it Délie ; Ce rossignol, Anacréon. Demoustier. Pan
Pan
, dieu des bergers et des montagnes, une des plus
ales. Les peuples d’Arcadie rendaient un culte particulier au dieu
Pan
; ils lui offraient du lait et du miel. Les Romai
autres disent que ces fêtes étaient ainsi appelées, parce que le dieu
Pan
, qu’on y honorait, garantit les troupeaux des ins
On nommait Luperces ou Luperques les ministres et les prêtres du dieu
Pan
. Dans les solennités, ces prêtres quittaient leur
s Fabiens, celui des Quintilliens, et celui des Juliens. Les fêtes de
Pan
, qui commencent à s’abolir, furent rétablies sous
ature sous différens noms, adorèrent l’univers sous l’emblème du dieu
Pan
: c’est ce que désigne son nom, qui, en grec sign
’origine de ce mot est incertaine ; quelques-uns l’attribuent au dieu
Pan
. Pausanias raconte que Brennus, à la tête d’une n
fut encore plus affreuse : une terreur soudaine inspirée par le dieu
Pan
, s’empara de leurs âmes ; ils prirent l’alarme, e
’autres disent que les Grecs ayant fait retentir le nom mystérieux de
Pan
autour des Gaulois, et poussé de grands cris, leu
ue vient des forêts épaisses et sombres, qu’on dit être la demeure de
Pan
, où le bruit des feuilles que le vent agite, insp
re toujours chaste et pure. Un jour qu’elle descendait du mont Lycée,
Pan
la rencontra, et tâcha, mais en vain, de lui fair
Diane, qui la changea en roseau. Cette fable est purement historique.
Pan
ayant remarqué que l’air agité dans un roseau y r
de Syrinx, d’un mot grec qui signifie roseau. Outre la nymphe Syrinx,
Pan
aima encore Echo et Pitys. Pitys Pitys,
arbre qui se plaît sur les montagnes. Dans la suite on le consacra à
Pan
, qui en porta une guirlande. Echo Echo,
guirlande. Echo Echo, nymphe des bois, qui fut aimée du dieu
Pan
, avait un esprit fort agréable. Elle sut plaire à
nteur de la musique et de la poésie, et excellait dans ces deux arts.
Pan
, le Dieu des campagnes, avait voulu faire lutter
vaincu. Cependant Midas, roi de Phrygie, ayant donné la préférence à
Pan
, Apollon lui fit pousser deux oreilles d’âne. Le
gna l’art de faire le vin. Dans toutes ses courses, il était suivi de
Pan
, de Silène et des satyres. On dit que les honneur
représente-t-on ? Chapitre deuxième. Divinités champêtres.
Pan
. Pan, fils de Démogorgon 35, Dieu des bergers
nte-t-on ? Chapitre deuxième. Divinités champêtres. Pan.
Pan
, fils de Démogorgon 35, Dieu des bergers et des c
rent nommées Lupercales ; pendant qu’on les célébrait, les prêtres de
Pan
, couverts de la peau des boucs et des chèvres qu’
ur se soustraire à sa poursuite, se changea en roseau. Les soupirs de
Pan
, pénétrant dans la cavité des fragments de roseau
l’invention de la flûte rustique ou des pipeaux, que l’on attribue à
Pan
. Plus tard il fut sur le point d’épouser la nymph
ipita du haut d’un rocher élevé. Les Dieux, sensibles à la douleur de
Pan
, transformèrent le corps de Pitys en pin, et c’es
pin, et c’est pourquoi cet arbre est consacré au Dieu des campagnes.
Pan
était habile dans le métier de la guerre, et c’es
au moment où ils allaient piller le temple de Delphes. On représente
Pan
avec un visage enflammé, des cornes sur la tête,
quefois une houlette ou une faucille. Questions. Qu’était-ce que
Pan
? — Où naquit-il, et quel culte lui rendait-on ?
épouser ? — Ne se distingua-t-il pas dans l’art militaire ? — Comment
Pan
est-il représenté ? Palès. Palès était la
sont les divinités tutélaires. Ils formaient le cortége ordinaire de
Pan
, Dieu des campagnes, et de Bacchus. Les monuments
35. Divinité sous le nom de laquelle les anciens adoraient la nature.
Pan
, en grec, veut dire tout ; de sorte que, suivant
sous la garde d’un monstre moitié femme et moitié serpent. Mercure et
Pan
le délivrèrent, et le roi des dieux poursuivit Ty
léguée sur la terre, elle eut d’abord à éviter les poursuites du dieu
Pan
; plus tard, elle s’éprit de Narcisse, jeune berg
i dérobant son arc et son troupeau. Sa flûte seule lui resta. Le dieu
Pan
et le satyre Marsyas osèrent le défier. Le premie
Midas, dont l’oreille était peu musicale, donna la préférence au dieu
Pan
. Apollon, pour se venger de cet arrêt, allongea a
ut le sort d’Apollon sur la terre ? — Ne fut-il pas défié par le dieu
Pan
? — Quelle fut la punition de Midas ? — Comment A
ger Endymion, qu’elle visitait dans la grotte de Latmos, pour le dieu
Pan
et le géant Orion. Vengeances de Diane. Le
é par Silène, fils de Mercure et de la Terre, d’autres disent du dieu
Pan
et d’une nymphe. Ce vieillard, gros, gras, court
s de la terre. Palès. — Flore. — Pomone. — Vertumne. — Priape. —
Pan
. — Satyres. — Nymphes. Cybèle représente la te
tés Priape, dieu des jardins, fils de Vénus et de Jupiter, et le dieu
Pan
, fils de Jupiter et de la nymphe Calisto. Les mœu
xemplaires ; elles contrastent avec celles de Palès, Flore et Pomone.
Pan
faisait sa résidence en Arcadie et rendait des or
phosée en roseau lorsqu’elle se dérobait à ses poursuites. On donne à
Pan
des cornes sur la tête, un nez camus, des cuisses
re ? — Qu’est-ce que Palès, Flore et Pomone ? — Qu’est-ce que le dieu
Pan
, et quelle était sa résidence ? — Qu’est-ce que l
c’était la déesse Angerona qui présidait au silence. [Fig. 71]
Pan
. Pan, dieu des bergers, des troupeaux et des
la déesse Angerona qui présidait au silence. [Fig. 71] Pan.
Pan
, dieu des bergers, des troupeaux et des campagnes
venteur de la flûte à sept tuyaux [Fig. 72]. [Fig. 72] Le culte de
Pan
fut porté dans l’Italie par Évandre, qui était or
oiles, et la partie inférieure du corps semblable à celle d’un bouc.
Pan
est un mot grec qui signifie tout ; de sorte que,
couronne, et voulut que cet arbre lui fût consacré. [Fig. 107]
Pan
et Syrinx. Il y avait dans l’Arcadie une naïad
s plus fidèles compagnes de Diane. Un jour qu’elle revenait du Lycée,
Pan
la vit, et, frappé de l’éclat de sa beauté, se mi
uvant arrêtée, dans sa détresse elle prie les Naïades de la secourir.
Pan
s’approche pour la saisir ; mais, au lieu de la n
une autre preuve de sa stupidité, en préférant la flûte champêtre de
Pan
à la lyre d’Apollon. Apollon, pour le punir, lui
sera sans zéphyrs, les fleuves sans naïades ? ……………………………………………. Ôtez
Pan
et sa flûte, adieu les pâturages ! Ôtez Pomone et
rs, dont ils dépendoient même, pour la plupart : tels étoient le dieu
Pan
; les déesses Flore, Palès et Pomone ; les Nymphe
yer la figure ; De chasser les Tritons de l’empire des eaux, D’ôter à
Pan
sa flûte, aux Parques leurs ciseaux, D’empêcher q
des bornes prescrites dans cet ouvrage. Divinités champêtres.
Pan
, Diane, Apollon, les Faunes, les Sylvains, Peuple
mains ; Les dieux règnent dans les campagnes. Rousseau.
Pan
, fils de Mercure, tenoit le premier rang parmi le
teur de la flûte, et le dieu des bergers, des bois et des prairies :
Pan
trouva le premier cet art ingénieux De former sur
e premier cet art ingénieux De former sur la flûte un son harmonieux.
Pan
règne sur nos bois ; il aime nos prairies ; C’est
plongée au fond des eaux, Syrinx fut transformée en d’utiles roseaux.
Pan
embrassoit les joncs qui cachoient sa bergère. Il
é, à la tête de ses Gaulois, pour piller le fameux temple de Delphes,
Pan
jetta l’épouvante dans cette armée, qui fut taill
ur Panique, pour signifier une frayeur dont on est saisi sans raison.
Pan
n’habitoit que les campagnes, et le mont Ménal où
résente encore les Satyres, les Faunes, les Sylvains, dont on dit que
Pan
est le père. Le dieu Sylvain présidoit aux bois e
de la Nuit. Les poëtes confondent assez souvent Sylvain et Faune avec
Pan
; et ils appellent indifféremment Satyres, Faunes
el, 39-40 Arcadie, 123 Arcadiens, honorent particulièrement le dieu
Pan
, ibid. Arcas, fils de Jupiter et de Calisto, 35
douze cents quatre-vingt-dix voiles, 180 Flûte, inventée par le dieu
Pan
, 122 — De Pan, 15 — D’Euterpe, 50-54 Forges de
atre-vingt-dix voiles, 180 Flûte, inventée par le dieu Pan, 122 — De
Pan
, 15 — D’Euterpe, 50-54 Forges de Vulcain, 78 F
Pallante, frère d’Egée, 140 Pallantides, enfans de Pallante, ibid.
Pan
, dieu des bergers, 122 — Le rang qu’il tenoit su
they had no place in heaven, and were not in the council of Jupiter.
Pan
, Pomona, Flora, and other rural deities, were inc
privacy, that a famine would have afflicted the whole world, had not
Pan
discovered her. She taught Triptolemus, son of Ce
, she is said to have forgotten her dignity in the company of the god
Pan
, of the shepherd Endymion, and of the giant Orion
ting. The moon smiles upon the world, for which we allegorically take
Pan
. Diana is said to have become so enamoured of End
metimes he has horns; at others, he appears naked on the shoulders of
Pan
, or in the arms of Silenus; and again he appears
oses to go to Palestine and exterminate an idolatrous nation. The god
Pan
gives a dog to Bacchus to follow him in his trave
many children. The most celebrated were Hermaphroditus by Venus, and
Pan
by Penelope, the wife of Ulysses. The animals sac
of making honey? What is said of Fornax? Chapter V. Satyrs, Fauns,
Pan
. The Satyrs, who inhabited forests and mounta
atyrs, over the woody plains; the Sylvans, over the woody mountains.
Pan
, the god of hunters, of shepherds, and country fo
, and in the other a pipe of unequal reeds. — See Fig. 37. Fig. 37.
Pan
. As soon as Pan was born, his education was entr
r a pipe of unequal reeds. — See Fig. 37. Fig. 37. Pan. As soon as
Pan
was born, his education was entrusted to the nymp
ful nymph Syrinx, daughter of the river Ladon; but she fled from him.
Pan
overtaking her, at her earnest prayer, she was me
or mouth organs. Under the likeness of a beautiful white goat or dog,
Pan
won the heart of Diana. By the nymph Echo, he had
us sorceress. The nymph Pithys was more sensible of the tenderness of
Pan
; but Boreas, jealous of this preference, made use
op of a rock. The gods changed her into a pine tree, a tree sacred to
Pan
. The origin of the phrase panic fear, is uncertai
anic fear, is uncertain. Some attribute it to the sudden fright which
Pan
excited among the Gauls under Brennus when they w
olitary places. Hence, a fear without a cause is called a panic fear.
Pan
was worshipped, particularly in Egypt, Arcadia, a
prove a happy mother. There were some other rural deities resembling
Pan
. The Fauns, his servants, and the Satyrs, who wat
their upper part like a man and their lower parts like a shaggy goat.
Pan
was called Deus Arcadiæ, because he was more part
Lupercus or Lyceus, because he guarded the sheep-folds from wolves. “
Pan
loves the shepherds, and their flocks he feeds.”
yllis sounds in ev’ry grove.” Lucretius. Obs. — The true origin of
Pan
was very ancient. The Egyptians worshipped the wh
y ancient. The Egyptians worshipped the whole world under the name of
Pan
, which means all. His image represents the univer
auni, the Satyri, and the Sylvani differ as to their offices? Who was
Pan
? Describe the disgusting form of Pan. What effect
fer as to their offices? Who was Pan? Describe the disgusting form of
Pan
. What effects did his uncouth figure produce? Had
p well established? Were there any other rural deities that resembled
Pan
? By what surnames is Pan distinguished? Chapte
there any other rural deities that resembled Pan? By what surnames is
Pan
distinguished? Chapter VI. Silenus, Midas, Syl
n him the divine honours with which Jupiter, Bacchus, Serapis, Pluto,
Pan
, Anubis, and so on, were loaded. So Isis was the
Proteus 120 Glaucus 120 Thaumas, Phorcys, and Ceto 121 The Winds 121
Pan
122 Silenus 124 The Satyrs 125 Priapus 125 Public
g Midas* had the bad taste to declare his preference for the music of
Pan
, in a contest which that god had with Apollo. The
cated to the winds. The ruins of this temple are still to be seen.
Pan
*. Pan* was the god of fertility, and the sp
winds. The ruins of this temple are still to be seen. Pan*.
Pan
* was the god of fertility, and the special patron
h the curious little creature, and they bestowed upon him the name of
Pan
(all), because he had delighted them all. Pan was
ed upon him the name of Pan (all), because he had delighted them all.
Pan
was regarded as the protector of shepherds and hu
sounds, which startle travelers in lonely places, were attributed to
Pan
, hence the term panic to indicate sudden fear. Th
the alarm which he created among the Persians by his terrible voice.
Pan
was gifted with the powers of prophecy, and he po
which state he was more especially worshiped. The usual offerings to
Pan
were milk and honey. Cows, lambs, and rams were a
s, who was his rival, blew the nymph down from a rock and killed her.
Pan
changed her into a pine-tree. Professor Müller ex
ins that Boreas is the Greek for north wind, Pitys for pine-tree, and
Pan
, a deity representing the wind in its less destru
the wonders of the forest, and of poor Pitys, the pine-tree wooed by
Pan
, the gentle wind, and struck down by jealous Bore
orth wind. As the nymph Syrinx* was one day returning from the chase.
Pan
fell in love with her, and pursued her to the ban
on the gods for assistance. They transformed her into a reed just as
Pan
was about to seize her. While he was lamenting hi
, the winds gently swayed the reeds and produced a low musical sound.
Pan
cut seven of them of unequal length, joined them
s led to the invention of the shepherd’s pipe, the poet tells us that
Pan
, the wind, played with Syrinx, and that she was c
or the one that wards off wolves. Silenus*. Silenus*, a son of
Pan
, was the foster-father of Dionysus, whom he accom
Palladium, 178, 187, 188. Pallas, 20, 165. Pallas Athene. See Athene.
Pan
, 94, 122, 123, 124. Panathenæa, 74, 134, 166, 210
nnes déifiées, Osiris fut appelé Sérapis, Dionysius, Pluton, Jupiter,
Pan
; de même Isis sa femme fut honorée sous les noms
s, Apollon, Mercure, Ammon, Bacchus, Sérapis, Adonis, Esculape, Atys,
Pan
et plusieurs autres. De même, selon lui, toutes l
ptolème étaient, selon eux, les premiers inventeurs de l’agriculture.
Pan
, au lieu d’Abel, avait le premier mené la vie pas
s ou Dionysius, leur Osiris ; Hermès ou Mercure, leur Thaut ou Thot ;
Pan
, leur Mendes, Diane, leur Bubaste ; Déméter, leur
oint de place dans le ciel, et n’étaient point du conseil de Jupiter.
Pan
, Pomone, Flore et les autres divinités champêtres
sous la garde d’un monstre moitié fille et moitié serpent. Mercure et
Pan
ayant surpris la vigilance de ce gardien, rendire
ïse d’aller dans la Palestine exterminer une nation idolâtre. Le dieu
Pan
donne un chien à Bacchus, pour le suivre dans ses
s dieux des Grecs. Des Satyres, des Faunes, des Égypans et du dieu
Pan
. Les Satyres, les Faunes et les Égypans étaie
s singes. On ne leur trouve aucune autre origine raisonnable. Le dieu
Pan
tenait le premier rang parmi les dieux antiques.
nivers sous divers noms, adorèrent l’ensemble du monde sous le nom de
Pan
, qui signifie tout. Ils lui donnèrent une figure
aine. Quelques auteurs l’attribuent à la frayeur soudaine que le dieu
Pan
excita parmi les Gaulois, lorsque, sous leur chef
piller le temple de Delphes. D’autres la font venir de ce que le dieu
Pan
habite les forêts ; et, lorsqu’on s’égare sous le
nt au premier bruit que l’on entend. Les poëtes racontent que le dieu
Pan
aima les trois nymphes Écho, Syrinx et Pithys. Éc
éfugia près du fleuve Ladon, son père, qui la métamorphosa en roseau.
Pan
ayant observé que le vent, en agitant ces roseaux
appelée Syrinx. La nymphe Pithys fut plus sensible à la tendresse de
Pan
; mais Borée, jaloux de cette préférence, se serv
dieux, pendant sa chute, la changèrent en pin, arbre consacré au dieu
Pan
. De Silène et de Midas. Silène, nourricier
r comble de disgrâce, lui eut dérobé son arc et son troupeau. Le dieu
Pan
osa rivaliser de talent avec lui, et le défier à
te. Midas, roi de Phrygie, fut pris pour juge ; comme il était ami de
Pan
, il lui adjugea le prix. Apollon punit l’ignoranc
chèvre Amalthée, qui nourrit Jupiter ; selon d’autres, c’est le dieu
Pan
, qui se transforma en chèvre à l’aspect de Tiphée
s et à Silène, fils de Mercure et de la Terre, ou, selon d’autres, de
Pan
et d’une nymphe. Silène s’était rendu agréable au
inités inférieures de la terre. Palès. – Flore. — Pomone. — Priape. —
Pan
. Terme. — Sylvain. — Nymphes. Lares. – Pénates.
écarter les oiseaux et une massue pour combattre les voleurs. 67.
Pan
. Pan, chez les Egyptiens, était le grand Tout
les oiseaux et une massue pour combattre les voleurs. 67. Pan.
Pan
, chez les Egyptiens, était le grand Tout (comme l
omme l’exprime son nom), la nature, l’univers entier. Chez les Grecs,
Pan
était simplement le dieu des campagnes. On le cro
ure et de Pénélope, qui en devint mère avant son mariage avec Ulysse.
Pan
naquit avec des cornes à la tête, un nez difforme
était le chef des Satyres, autres divinités champêtres, semblables à
Pan
, et, comme lui, la terreur35 des Nymphes, moins à
Nymphes, moins à cause de leur laideur que de leurs mœurs dissolues.
Pan
était particulièrement honoré en Arcadie : il y r
présente leur mariage ? Qu’était-ce que Priape ? 67. Faites connaître
Pan
et ce qu’on appelle terreur panique. 68. Qu’était
rigine de cette expression. Les anciens croyaient que c’était le dieu
Pan
qui inspirait aux hommes ce sentiment. La plus cé
the growth of everything that sprang from the earth. Lastly there was
Pan
, the god of the shepherds and of the woods. He wa
hey were called, many a race through the woods. “Now it happened that
Pan
, the god of the shepherds and chief of the satyrs
his breath among the reeds made a soft, murmuring sound, like music.
Pan
was so charmed by the sweet tone, that he fastene
ver holy, Ever holy, Ever honored, ever young, Thus great
Pan
is ever sung. Beaumont and Fletcher . How
rch as he should have been. You remember reading in another story how
Pan
, the god of the woods, first made the flute from
t made the flute from the reeds that grew by the river. Now this same
Pan
was a great favorite with King Midas, and the kin
t musician in the world. The nymphs of the woods, also, loved to hear
Pan
play on his flute, and at last he became so used
st singer in the world; therefore it was a very bold thing indeed for
Pan
to challenge him. Yet Apollo agreed to take part
of the judge stood Apollo with his golden cloak and shining lyre, and
Pan
himself, with his goatskin flung loosely about hi
ust have been, and I wish all of you could have been there to see it.
Pan
was the first to play, and, amid a breathless sil
avaient d’autres armes que des thyrses, des cymbales et des tambours.
Pan
, Silène, les Satyres, les Corybantes, et Aristée,
deuxième. Dieux du second ordre. a) Dieux champêtres. § 1.
Pan
. — Faune. — Les Satyres. Pan, né en Arcadie,
a) Dieux champêtres. § 1. Pan. — Faune. — Les Satyres.
Pan
, né en Arcadie, était le dieu des campagnes et de
n sujet de divertissement pour les dieux. Dans le feu de sa jeunesse,
Pan
poursuivait, près du fleuve Ladon, Syrinx, dont i
touchés de l’angoisse de cette nymphe, la métamorphosèrent en roseau.
Pan
interdit et troublé soupira longtemps auprès de c
e en pin, arbre qui se plaît sur les montagnes, et qui fut consacré à
Pan
. Pour se distraire de tant de chagrins, il accomp
t contribua à ses triomphes. Ce fut dans cette expédition que le dieu
Pan
perfectionna la tactique militaire, inventa la ma
d’Arcadie, obligé de fuir son pays natal, transporta le culte du dieu
Pan
dans le Latium, où ses fêtes furent nommées Luper
assants, pour exciter le rire de la populace. Les Égyptiens adoraient
Pan
comme le symbole de la fécondité et le principe d
tres, et d’obtenir un temple et des autels. — On le représente, comme
Pan
, avec des jambes et des pieds de bouc, deux corne
idas. Midas, riche et stupide roi de Phrygie, était l’ami du dieu
Pan
et de Bacchus. Un jour que Pan, au milieu des nym
de roi de Phrygie, était l’ami du dieu Pan et de Bacchus. Un jour que
Pan
, au milieu des nymphes, répétait des airs sur sa
d’eux les nymphes et Midas formaient un cercle nombreux et attentif.
Pan
le premier tira de son chalumeau quelques airs gr
accords divins de sa lyre. Tmolus, en extase, décida que la flûte de
Pan
devait céder à la lyre d’Apollon, et les nymphes
plaudirent à ce jugement. Midas seul réclama la victoire pour le dieu
Pan
, et débita un long discours en faveur de son ami.
velure une paire d’oreilles longues et velues… Effrayé de ce prodige,
Pan
prit la fuite et ne dit mot : Apollon se retira v
na. Does a shepherd sound his reed on the summit of a mountain, it is
Pan
, who with his pastoral pipe returns the amorous l
age anonyme_heathen-mythology_1842_img041 Undeterred by this example,
Pan
, favourite of Midas, King of Lydia, wished also t
lso to compete with Apollo in the art of which the latter was master.
Pan
began the struggle, and Midas repeated his songs
nthusiasm, without paying the least attention to his celestial rival.
Pan
again sang, and Midas repeated; when, to his surp
is hair, a pair of ears, long and shaggy. Alarmed at this phenomenon,
Pan
took to flight, and the prince, desolate at the l
was drawn in a chariot by a lion and a tiger, and was accompanied by
Pan
, Silenus, and all the satyrs. His conquests were
he readers of the nineteenth century. Divinities of the Earth.
Pan
. Pan was the god of shepherds, and of all inha
rs of the nineteenth century. Divinities of the Earth. Pan.
Pan
was the god of shepherds, and of all inhabitants
appearance; Bacchus was delighted with him, and gave him the name of
Pan
. ————— “Sprung the rude God to light; Of dreadfu
efly Bacchus, god of mirth and wine, Received the dauntless god, whom
Pan
they call, Pan, for his song delights the breast
od of mirth and wine, Received the dauntless god, whom Pan they call,
Pan
, for his song delights the breast of all.” Horac
he dreary melody of bedded reeds.” Keats. The flute was invented by
Pan
, and formed of seven reeds, which he called Syrin
know But that the goddess bore a golden bow, Descending from Lycæus,
Pan
admires The matchless nymph, and burns with new d
ind, And breathed a mournful air unheard before, That much surprizing
Pan
, yet pleased him more, Admiring this new music,
aused Omphale and the hero to seek separate apartments. In the night,
Pan
introduced himself, and went to the bed of the q
intruder into the middle of the room. The noise aroused Omphale, and
Pan
was discovered lying on the ground, greatly disco
lying on the ground, greatly discomfited and ashamed. The worship of
Pan
was well established, particularly in Arcadia, an
with a sudden panic and took to flight. This terror was attributed to
Pan
, and they believed all panics, the cause of which
of which was unknown, were produced by him. It was by the counsel of
Pan
, that the Gods at the moment of the assault of Ty
xtent immured, Her vow’d virginity she still secured. Oft would loose
Pan
, and all the lustful train Of satyrs, tempt her i
temis of Ephesus, 226. Isis, 226. CHAP. XVI. rural deities.
Pan
, 229. Satyrs, 233. Silenos, 234. Priapos, 235. Ny
ht on the summit of Mount Latmos, the place of his repose255. The god
Pan
was also said to have gained her love under the f
he valleys of Ida645. Apollo, it is said646, was taught divination by
Pan
, the son of Zeus and the nymph Thymbris. For his
strument he was indebted to the invention of his half-brother Hermes.
Pan
, the god of shepherds, venturing to set his reed-
their work to execute her orders. She now proceeds to Arcadia, where
Pan
, the chief god of that country, supplies her with
r upon a bank of flowers, where she was found and consoled by the god
Pan
. She now goes through the world in search of Cupi
of music ; the lyre is ascribed to Hermes as the pipes are to his son
Pan
, music having been always a recreation of the she
oes ‘rich in corn-fields’ ; and of the shepherd Daphnis, and the gods
Pan
and Priapos. The rural character of Herse and Agl
e in danger of famine ; but no one knew the place of her retreat till
Pan
in his huntings chanced to see her. He gave infor
ariot drawn by elephants or panthers, leaning on Ampelos, preceded by
Pan
, and followed by Silenos, the Satyrs, and the Mæn
RURAL DEITIES : — PAN, SATYRS, SILENOS, PRIAPOS, NYMPHS. Πάν.
Pan
. This god is unnoticed by Homer and Hesiod,
ionysos, were delighted with the little stranger ; and they named him
Pan
(i. e. All), because he had charmed them all. Ot
Pan (i. e. All), because he had charmed them all. Others fabled that
Pan
was the son of Hermes by Penelope, whose love he
Pan and Arcas were the children of Zeus and Callisto. Aristippus made
Pan
the offspring of Zeus and the nymph Œneïs1167, ot
s again said he was a child of Heaven and Earth1168. There was also a
Pan
said to be the son of Zeus and the nymph Thymbris
or Hybris, the instructor of Apollo in divination1169. The worship of
Pan
seems to have been confined to Arcadia till the t
sing by Mount Parthenion near Tegea in Arcadia, he heard the voice of
Pan
calling to him, and desiring him to ask the Athen
sisting to them. After the battle the Athenians consecrated a cave to
Pan
under the Acropolis, and offered him annual sacri
ith the horned and goat-footed god of the Arcadian herdsmen1171 ; and
Pan
was elevated to great dignity by priests and phil
attributes of the Arcadian god were made to accord with this notion. “
Pan
,” says Servius1173, “is a rustic god, formed in s
is a rustic god, formed in similitude of nature ; whence he is called
Pan
, i. e. All : for he has horns in similitude of th
ove conquers all, omnia vincit amor.” In Arcadia, his native country,
Pan
appears never to have attained to such distinctio
sometimes there experienced from his worshipers : And if thou do so,
Pan
beloved, may ne’er The Arcadian boys thy shoulder
an Pindar1176, describes in a very pleasing manner the occupations of
Pan
. He is lord of all the hills and dales : sometime
s back, and delighted with the sweet song. In after times the care of
Pan
was held to extend beyond the herds. We find him
she was returning one day from the chase, and passed by Mount Lycæon,
Pan
beheld her and loved ; but when he would address
d unable to cross it implored the aid of her sister-nymphs ; and when
Pan
thought to grasp the object of his pursuit, he fo
rite plant of Pan1182. What are called Panic terrors were ascribed to
Pan
; for loud noises, whose cause could not easily b
ntering the rural deities. The ancients had two modes of representing
Pan
. The first, according to the description already
led chlamys 1184. Like many other gods who were originally single,
Pan
was multiplied in course of time, and we meet Pan
was multiplied in course of time, and we meet Pans in the plural1185.
Pan
was called1186, 1. Goat-footed ; 2. Noise-loving
ing ; 4. Bright-locked ; 5. Cave-dwelling ; 6. Sea-roaming. The name
Pan
(Πὰν) is probably nothing more than the contracti
nd was probably in its origin an epithet of Hermes. Buttmann connects
Pan
with Apollo Nomios, regarding his name as the con
by Chione, or a Naïs ; others1222, that he had a long-eared father, —
Pan
or a Satyr perhaps, or it may be his own sacred b
committed to them : they were, for instance, the nurses of Dionysos,
Pan
, and even Zeus himself ; and they also brought up
ed1238.” The nymph Echo had been, as we have seen, beloved by the god
Pan
. She was also, we are assured, of a most accommod
he lyre and the shepherd’s pipe, and they often danced to his melody.
Pan
also loved him, and one time warned him to drive
n that form as long as he thought proper. Soon however the presage of
Pan
proved true : the winter came on ; all the stream
speaking of the beginning of the world ; and Milton says, Universal
Pan
, Knit with the Graces and the Hours in dance, Led
ly after Apollo found himself engaged in another musical contest with
Pan
, King Midas’ favourite flute-player. Upon this oc
ivilege of awarding the prize, and, blinded by partiality, gave it to
Pan
, in spite of the marked inferiority of his playin
sun was high in the heavens, and palace and gardens had vanished.
Pan
and Psyche. Sir E. Burne-Jones. By Permission of
disconsolate, seeking Cupid, and questioning all she met, the nymphs,
Pan
, and Ceres, who compassionately listened to her c
ancient versions, in which Rhœcus was deprived of physical sight.
Pan
The male divinities of the woods, which were a
The most famous among all the Satyrs was Silenus, Bacchus’ tutor; and
Pan
, or Consentes, god of the shepherds, and the pers
ried him off to Olympus, where all the gods turned him into ridicule.
Pan
was widely worshipped in olden times, however; an
Ever holy, Ever holy, Ever honoured! ever young, The great
Pan
is ever sung!” Beaumont and Fletcher. The St
Pan is ever sung!” Beaumont and Fletcher. The Story of Syrinx
Pan
was equally devoted to music, the dance, and pret
his appearance, fled. Exasperated by her persistent avoidance of him,
Pan
once pursued and was about to overtake her, when
which, passing through the rustling reeds, produced plaintive tones.
Pan
, seeing Syrinx had gone for ever, took seven piec
rinx fled Arcadian Pan, with such a fearful dread. Poor nymph! — poor
Pan
! — how he did weep to find Naught but a lovely si
a half-heard strain Full of sweet desolation — balmy pain.” Keats.
Pan
was supposed to delight in slyly overtaking belat
arland around his misshapen head. “He tore out a reed, the great god
Pan
, From the deep cool bed of the river. The
brought it out of the river. This is the way, laughed the great god
Pan
(Laughed while he sate by the river!), ‘
Pan, Piercing sweet by the river! Blinding sweet, O great god
Pan
! The sun on the hill forgot to die, And the lilie
until they saw them finally slain by the unfailing arrows of the sun.
Pan
, Æolus, his numerous progeny, and the Harpies, we
Co-ma′tas. A goatherd, servant of the Muses, 70 Con-sen′tes. Same as
Pan
, god of the universe and of nature, 265 Co′pre-u
by, 174; day of, 178; leader of dreams, 180; Perseus helped by, 211;
Pan
, son of, 265; Protesilaus guided by, 281; Priam l
ulcan expelled from, 122; Ceres visits, 167; Bellerophon storms, 260;
Pan
carried to by Mercury, 266; Thetis visits, 284; s
, 336, 337 Pal′lor. Special attendant of Mars; lover of strife, 116
Pan
. Same as Consentes, god of nature and the univers
uitors of, 318-320; significance, 359, 360. 2. A nymph, the mother of
Pan
, 265 Pe-ne′us. 1. River god; father of Daphne; c
Floating rocks safely passed by the Argo, 235 Syrinx. Nymph loved by
Pan
, and changed into reeds, 266, 267 T Tæ′a-ru
te multitude de divinités subalternes, les poëtes distinguent surtout
Pan
et Palès, Faune et Sylvain, Flore, Pomone, Vertum
Palès, Faune et Sylvain, Flore, Pomone, Vertumne et le dieu Terme.
Pan
et Palès. 2. En grec Pan signifie tout. Chez l
ore, Pomone, Vertumne et le dieu Terme. Pan et Palès. 2. En grec
Pan
signifie tout. Chez les Egyptiens particulièremen
mulus et Rémus avaient été nourris par une louve. Les prêtres du dieu
Pan
se nommaient luperci. 3. On ne versait point le s
4. Pausanias dit que quand les Gaulois se précipitèrent sur la Grèce,
Pan
les frappa d’une terreur subite au moment où ils
nt que cette locution a été employée parce que les forêts, auxquelles
Pan
préside, inspirent un sentiment sombre et mélanco
Romains en firent le dieu des forêts. Quelquefois on le confond avec
Pan
et même avec Faune son père. On le représentait à
on père. On le représentait à peu près de la même manière que le dieu
Pan
, avec cette différence qu’il tenait une branche d
es étaient les principales divinités champêtres ? 2. Qu’était le dieu
Pan
chez les Egyptiens et chez les Grecs ? Dans quel
Indiens, 168. Lune, un des noms de Diane, 39. Lupercales, fêtes de
Pan
, 76. Luperci, prêtres de Pan, 76. Lutte, jeu en
oms de Diane, 39. Lupercales, fêtes de Pan, 76. Luperci, prêtres de
Pan
, 76. Lutte, jeu en Grèce, 155. Luxe, père de la
habite l’enfer, 71. Pallante, 92 Pallas, vaincue par Minerve, 44.
Pan
, dieu des bergers, son culte, 76. Panathénées, f
i auguri. Lo Scoliaste di Pindaro afferma che Apollo appreso avea da
Pan
la scienza dell’avvenire ; ma altri vogliono che
odoro, intraprese una celebre spedizione nelle Indie, accompagnato da
Pan
, da Trittolemo, da donne assai esperte nel canto,
va su di un cocchio tirato da tigri, o da linci, avendo a lato il dio
Pan
ed il vecchio Sileno. Questo strano esercito era
i quasi sempre ubbriachi. Sileno poi si credeva fig. di Mercurio o di
Pan
, e di una ninfa ; ed avea la testa calva e cornut
; il terzo, di Giove terzo e di Maia, dal quale e da Penelope nacque
Pan
; il quarto, nato dal Nilo, che gli Egiziani non
rsi per alcun imperio della ragione, la quale volevasi infusa dal dio
Pan
, com’è lo spavento mandato, senza sapersene la ca
gli eserciti, che ne sono scompigliati e posti in fuga. Or questo dio
Pan
fu fig. di Demogorgone, o di Giove e di Fimbride
Pan fu fig. di Demogorgone, o di Giove e di Fimbride ; o di Mercurio.
Pan
suggerì agli Dei che si fossero cangiali in varie
che gli Egiziani prestavano a certi animali. Apollodoro (1) dice che
Pan
insegnò ad Apollo l’arte d’indovinare ; ma che po
contesa sulla perizia del suono ; e di ciò fu cagione l’esser venuto
Pan
in gran superbia per avere ritrovato la fistola o
; l’invenzione del quale da Virgilio e da Ovidio (1) si attribuisce a
Pan
, e da Ateneo(2), a Marsia. Altri (3), però a Pan
(1) si attribuisce a Pan, e da Ateneo(2), a Marsia. Altri (3), però a
Pan
attribuiscono l’invenzione del plagiaulo (πλαγιαυ
fu per pietà delle ninfe sorelle, cangiata in palustre canna, di cui
Pan
formò la fistola che dal nome di quella ninfa fu
issima cosa e quasi divina, se ne attribuì l’invenzione a’ numi, ed a
Pan
specialmente creduto dio tutelare de’ pastori. Pa
ione a’ numi, ed a Pan specialmente creduto dio tutelare de’ pastori.
Pan
, dice Virgilio (7), ha cura delle pecore e de’ pa
onti di Arcadia tanto celebrati da’ poeti. Orazio (8) per significare
Pan
dice il nume cui piacciono gli armenti ed i pinif
ato il capo, come anche facevano i Fauni ; ma il Vossio afferma che a
Pan
era consacrato l’elce o leccio (ilex). V.Conti
ilex). V.Continuazione – Fauni – Silvani. Dopo aver parlato di
Pan
, dio della natura e capo de’ rusticani Iddii, vol
i brevemente discorreremo. I poeti latini spesso confondono Fauno con
Pan
, perchè le favole degli antichi Italiani non di r
iedi di capra. Alcuni vogliono ancora che Silvano fosse lo stesso che
Pan
; ma Virgilio (1) manifestamente li distingue. I
sima ode ch’è una specie d’inno. I Luperci poi eran sacerdoti del dio
Pan
o di Fauno ; e Lupercali si dicevano alcune feste
era un luogo o antro sotto il monte Palatino, consacrato da Evandro a
Pan
, nume antichissimo dell’Arcadia, ove per quei mon
uo tempio era l’ippodromo e lo stadio, ove si celebravano in onore di
Pan
le feste dette Licee. Or Evandro dall’Arcadia por
dell’infernale monarca. Giove, dice uno scrittore, avendo appreso da
Pan
qual fosse il luogo, ove, dopo il rapimento di Pr
awn by wild beasts, subject to his will, attended by rural deities, —
Pan
, Silenus, and the Satyrs, and making a peaceable
s and his children? What fact in history is connected with Æolus?
Pan
. See plate, page 87. The god Pan held a prin
ry is connected with Æolus? Pan. See plate, page 87. The god
Pan
held a principal place among the most ancient div
ulus and Remus were suckled by a wolf, in Latin lupus. The priests of
Pan
, at Rome, were called Luperci. Pan was regarded a
lf, in Latin lupus. The priests of Pan, at Rome, were called Luperci.
Pan
was regarded as the inspirer of sudden untounded
s figure is nearly as frightful as that of Medusa. The real origin of
Pan
was extremely ancient. The Egyptians worshipped t
half other animals. To this deity the Greeks gave the appellation of
Pan
, that is, in their language, the whole. The poets
of Pan, that is, in their language, the whole. The poets relate that
Pan
successively loved the nymphs Echo, Syrinx, and P
d her. Syrinx was a nymph in the train of Diana, and, when pursued by
Pan
, fled for refuge to the river Ladon, her father,
r refuge to the river Ladon, her father, who changed her into a reed.
Pan
observing that the reeds, when agitated by the wi
ing, she was changed into a pine tree, which was afterwards sacred to
Pan
. Milk and honey were offered to this deity. Who
ds sacred to Pan. Milk and honey were offered to this deity. Who was
Pan
? Was Pan regarded as the inspirer of false fear?
ed as the inspirer of false fear? What was the Egyptian Pan? Whom did
Pan
love, and what became of Echo? What was the origi
déjà réparer tant d’injustices et rétablir tant de choses utiles.
Pan
. Dieu des campagnes et des bergers, étoit
, elle implora son secours, le fleuve la métamorphosa en roseau, dont
Pan
fit la première flûte à sept tuyaux inégaux. On r
, dont Pan fit la première flûte à sept tuyaux inégaux. On représente
Pan
sous la figure d’un satyre, avec des cornes et de
neur qu’on avoit institué les fêtes licencieuses appelées Lupercales.
Pan
en grec signifie tout. On croit que sous ce nom l
de M. Millin. 4. Ou pour les souiller par des demi-Dieux infâmes,
Pan
, les Satyres, les Faunes, etc., et par la licence
es fêtes de Flore. 5. Les bacchanales, les fêtes de Flore, celles de
Pan
, celles de Bellone, les combats des gladiateurs e
se faisant des incisions sur tout le corps. Aux lupercales, fêtes de
Pan
, ses prêtres, les Luperques, armés de fouets, éto
e had the bad taste to declare his preference for the vulgar music of
Pan
, in a contest which that god had with Apollo. The
e Woods, and Rural Deities. Gods of the Woods, and Rural Deities —
Pan
— Names given to this Deity — His Origin — How re
this Deity — His Origin — How represented — Famous Action related of
Pan
— Origin of Pan’s Reeds — Satyrs and Fauns — Term
of Pan’s Reeds — Satyrs and Fauns — Terminus — Vertumnus — Pales.
Pan
. Ques. Who was Pan? Ans. He was a woodland d
and Fauns — Terminus — Vertumnus — Pales. Pan. Ques. Who was
Pan
? Ans. He was a woodland deity, and was honored b
s to have been a son of Mercury and a nymph of Arcadia. Ques. How is
Pan
represented? Ans. As half man, and half goat, ha
o sweet as to cheer the gods. Ques. What famous action is related of
Pan
? Ans. When the Gauls, under their King Brennus,
nto Greece, and were about to plunder the temple of Apollo at Delphi,
Pan
suddenly showed himself, and so terrified them th
water-nymphs to help her, and change her into reeds, which they did.
Pan
saw the transformation, and was much grieved. He
hat he formed them into a rustic pipe. Milk and honey were offered to
Pan
. Satyrs and Fauns. Ques. Who were these?
Ans. They were hideous monsters who dwelt in forests, and were, like
Pan
, half man and half goat. Terminus. Ques. W
ng Brennus. According to Pausanias, the city and temple were saved by
Pan
, as we have seen in the account given of that god
teous anger of the gods, particularly towards the proud and insolent.
Pan
was the god of flocks and shepherds. His favorite
and Diana’s of silver. One day, as she was returning from the chase,
Pan
met her, told her just this, and added more of th
l for help on her friends the water nymphs. They heard and consented.
Pan
threw his arms around what he supposed to be the
cated to Leigh Hunt, by Keats, the following allusion to the story of
Pan
and Syrinx occurs: — “So did he feel who pulled
yrinx fled Arcadian Pan, with such a fearful dread. Poor nymph — poor
Pan
— how he did weep to find Nought but a lovely sig
wealth and splendor, dwelt in the country, and became a worshipper of
Pan
, the god of the fields. On a certain occasion Pan
ame a worshipper of Pan, the god of the fields. On a certain occasion
Pan
had the temerity to compare his music with that o
and cleared away the trees from his ears to listen. At a given signal
Pan
blew on his pipes, and with his rustic melody gav
in her, and so would old Sylvanus, who looks young for his years, and
Pan
, who wears a garland of pine leaves around his he
us — The Water Deities — Camenæ — Winds. The Rural Deities.
Pan
, the god of woods and fields, of flocks and sheph
nx, or shepherd’s pipe, which he himself played in a masterly manner.
Pan
, like other gods who dwelt in forests, was dreade
fears. Hence sudden fright without any visible cause was ascribed to
Pan
, and called a Panic terror. As the name of the go
Pan, and called a Panic terror. As the name of the god signifies all,
Pan
came to be considered a symbol of the universe an
divinities, whose characteristics are so nearly the same as those of
Pan
that we may safely consider them as the same pers
ton in his glowing description of the early creation, thus alludes to
Pan
as the personification of Nature: —
tion of Nature: — “Universal
Pan
, Knit with the Graces and the Hours in dance, Led
“In shadier bower, More sacred or sequestered, though but feigned,
Pan
or Sylvanus never slept, nor Nymph Nor Faunus hau
ourse is run! Look up, poets, to the sun!
Pan
, Pan is dead.” These lines are founded on an ear
is run! Look up, poets, to the sun! Pan,
Pan
is dead.” These lines are founded on an early Ch
eep groan, heard through all the isles of Greece, told that the great
Pan
was dead, and that all the royalty of Olympus was
rd; These were the lurking Satyrs, wild brood Of gamesome deities; or
Pan
himself, That simple shepherd’s awe-inspiring god
, 238. Pa’les, 22. Palinu’rus, 354. Palla’dium, 310. Pallas, 18, 373.
Pan
, 20, 71, 229. Panathenæ’a, 213. Pando’ra, 24. Par
nt aux champs, aux fleurs, aux fontaines, aux arbres, etc. ; tels que
Pan
, Pomone, Vertumne, et une multitude d’autres, qu’
. Midas, roi de Phrygie, fut pris pour juge, et adjugea la victoire à
Pan
, son ami. Apollon, pour s’en venger, fît présent
e partie. Dieux de la seconde classe. Divinités champêtres.
Pan
. Demande. Quel dieu tenoit le premier ran
ier rang parmi les divinités champêtres ? Réponse . C’étoit le dieu
Pan
; il étoit l’inventeur de la flûte, et le dieu de
nteur de la flûte, et le dieu des bergers, des bois et des prairies.
Pan
trouva le premier cet art ingénieux De former sur
e premier cet art ingénieux De former sur la flûte un son harmonieux.
Pan
règne sur nos bois ; il aime nos prairies : C’est
e. R. Syrinx, fille du fleuve Ladon, étoit une des nymphes de Diane.
Pan
l’aima inutilement. Syrinx, fuyant ses poursuites
on, et implora le secours de son père. Celui-ci la changea en roseau.
Pan
joignit avec de la cire plusieurs bouts de roseau
expression de terreur panique. R. Les Grecs ont attribué à leur dieu
Pan
l’origine de cette terreur subite dont la cause e
vancé à la tête des Gaulois, pour piller le fameux temple de Delphes.
Pan
jeta l’épouvante dans cette armée qui fut taillée
ièces. De là vient l’expression de terreur panique. D. En quels lieux
Pan
étoit-il principalement honoré ? R. Pan étoit pa
ésente tenant un cyprès à la main. On le confond souvent avec le dieu
Pan
et avec le dieu Faune. C’est de son nom qu’on app
degrés à leur rang se placent sous ses doigts. Tels, sous la main de
Pan
, l’Arcadie a vu naître Les tubes inégaux de la fl
oyer la figure, De chasser les Tritons de l’Empire des Eaux, D’ôter à
Pan
sa flûte, aux Parques leurs ciseaux, D’empêcher q
l’innocent, aux horreurs du tombeau. Lucain. — Paul, fils 26.
Pan
, Fils de Mercure. Dieu des Bergers, des Tro
mps, comme Faune et Sylvain, avec lesquels on le confond quelquefois.
Pan
suivit Bacchus à la conquête des Indes et partage
ples vases d’argile. Le Pin et l’Ormeau étoient les arbres favoris de
Pan
. On le représente avec des cornes à la tête, des
longée au fond des eaux, Syrinx fut transformée en d’utiles roseaux ;
Pan
embrassoit les joncs qui cachoient sa bergère, Il
dans ce séjour sacré, J’ai cru revoir ce Dieu par l’Egypte adoré, Ce
Pan
, qui d’un grand tout fut le visible emblème ! Sur
aux transports joyeux Anime les bois, les campagnes,
Pan
, les Bergers, les Nymphes des montagnes. Le troup
Fuit au fond des bois ; Et
Pan
qui soupire, Brise son haut
juge du chant que de la vraie richesse, décida un jour que la voix de
Pan
effaçoit celle d’Apollon : le Dieu de l’harmonie
prélude le premier, A ses accords les chênes reverdissent, A ceux de
Pan
leurs feuilles se flétrissent ; Mais par Midas, m
n danger, la métamorphosa en roseau. Ce fut, dit-on, de ce roseau que
Pan
composa la première flûte champêtre. Aux mon
Diane est d’or : Même à voir sa démarche, on s’y trompoit encor.
Pan
l’apperçut un jour au pied du mont Lycée. O Nymph
le agite et fait frémir, Par sa bouche pressés semblent alors gémir.
Pan
surpris et charmé de cette voix plaintive, Prête
oit environnée ! L’Olympe en tes bosquets, vit errer tous ses Dieux :
Pan
qui sut animer les joncs mélodieux, Diane au carq
ns houlette ; Ces troupeaux le suivoient au son de sa musette ; Ainsi
Pan
, par son souffle animant le haut-bois, Appelle le
s] Malfilatre. Narcisse. ch. III. 89. [Table des matières] Dorat. Le
Pan
et l’Arc-en-Ciel. 90. [Table des matières] Le Pr
oyer la figure, De chasser les Tritons de l’Empire des Eaux, D’ôter à
Pan
sa flûte, aux Parques leurs ciseaux, D’empêcher q
horreurs du tombeau. Lucain. — Paul, fils 26. Voyez Discorde .
Pan
, Fils de Mercure. Dieu des bergers, des tro
mps, comme Faune et Sylvain, avec lesquels on le confond quelquefois.
Pan
suivit Bacchus à la conquête des Indes, et partag
ples vases d’argile. Le Pin et l’Ormeau étaient les arbres favoris de
Pan
. On le représente avec des cornes à la tête, des
longée au fond des eaux, Syrinx fut transformée en d’utiles roseaux ;
Pan
embrassait les joncs qui cachaient sa bergère, Il
dans ce séjour sacré, J’ai cru revoir ce Dieu par l’Égypte adoré, Ce
Pan
, qui d’un grand tout fut le visible emblème ! Sur
plaisir aux transports joyeux Anime les bois, les campagnes,
Pan
, les Bergers, les Nymphes des montagnes. Le troup
Fuit au fond des bois ; Et
Pan
qui soupire, Brise son hau
juge du chant que de la vraie richesse, décida un jour que la voix de
Pan
effaçait celle d’Apollon : le Dieu de l’harmonie
: Le Tmole est enchanté des accords qu’il en tire, Et les pipeaux de
Pan
sont vaincus par la lyre : Le juge a prononcé. To
prélude le premier, A ses accords les chênes reverdissent, A ceux de
Pan
leurs feuilles se flétrissent ; Mais par Midas, m
n danger, la métamorphosa en roseau. Ce fut, dit-on, de ce roseau que
Pan
composa la première flûte champêtre. On vit e
on s’y trompait encor. Le Dieu qui ceint de pin sa tête hérissée,
Pan
l’aperçut un jour aux vallons du Lycée, Et lui fi
es sœurs imploré le secours, Comment prêt à saisir la Naïade rebelle,
Pan
saisit des roseaux qu’il embrasse au lieu d’elle
ait environnée ! L’Olympe en tes bosquets, vit errer tous ses Dieux :
Pan
qui sut animer les joncs mélodieux, Diane au carq
ns houlette ; Ces troupeaux le suivaient au son de sa musette ; Ainsi
Pan
, par son souffle animant le haut-bois, Appelle le
, fragment. 27. [Table des matières] Anyte, citoyenne d’Epidaure. Oh
Pan
! etc. 28. [Table des matières] Anyte, citoyenn
s ensuite donnèrent pour enfans à Démogorgon, le Soleil, la Discorde,
Pan
, les Parques et Pitho ou la Persuasion ; au Chaos
t Diane, avec Latone, fille de Cœos ; à Egipan, fille d’Ega, femme de
Pan
; à Hercule, avec Alcmène, femme d’Amphitrion, et
Ensuite on connaissait les Dieux subalternes ou Dii minores, tels que
Pan
, Pomone, Flore et autres Dieux champêtres. Après
, Junon, Minerve, Diane, etc. ; les Dieux de la Terre, Cybèle, Vesta,
Pan
, les Faunes, les Nymphes, les Muses, etc. ; les D
ncore Capricorne, fils d’Egipan, qui peut-être était fils lui-même de
Pan
et de la nymphe Ega. Quoi qu’il en soit, Capricor
l avait aidé Jupiter dans la guerre contre les Titans, soit parce que
Pan
lui-même, craignant le géant Typhon, se métamorph
les fêtes de Lucine avec les Lupercales ou orgies consacrées au dieu
Pan
, que nous rencontrerons plus tard. Si à Rome Ilit
ses désirs sur un fils de Mercure, le berger sicilien Daphnis, auquel
Pan
avait appris à chanter et à jouer de la flûte, et
s d’elle dans l’Olympe, et qu’elle ne dédaigna pas les complimens que
Pan
lui-même lui adressa dans un bocage de l’Arcadie
monde Crotos ou Crocas, ou la cadence qu’elle avait eue avec le dieu
Pan
, elle prit les Muses en nourrice avec son fils, l
ot sur lequel il était venu en Phrygie. Ce roi avait pour ami le dieu
Pan
. Celui-ci, s’applaudissant une fois de la beauté
n ; ce Tmole fut pour Apollon, mais Midas adjugea la victoire au dieu
Pan
. Apollon, afin de se venger de cette petite mésav
cette absence, menaçait le monde d’une famine générale, mais un jour
Pan
étant à la chasse dans les bois de l’Arcadie, déc
les et agiles, font naître cette jeune fille en Thrace, de l’union de
Pan
et d’Echo, et la placent lors du voyage de Cérès,
inventeur de la mouture et génie des femmes mariées ; Nomios, (voyez
Pan
) Obarator, dieu italique du premier labour avant
; Pales, déesse des prairies et de la multiplication des troupeaux ;
Pan
, dieu rural suprême des Pélasgues ; Panis, dieu s
si que les Silvains et les Dryades, ils se rattachent beaucoup plus à
Pan
, après lequel nous les retrouverons. Parmi ces di
us avons indiquées comme se rattachant de plus ou moins près à Cérès.
Pan
, surtout, pourrait prendre place ici ; mais nous
Elide, et Tychon, dans l’Attique. Il était le dieu des jardins comme
Pan
, et l’on croyait que c’était lui qui les faisait
ait née de deux espèces différentes, elle avait eu de Jupiter le dieu
Pan
. Lardane fut maîtresse de Jupiter, qui la rendi
nymphe d’Etolie, fut aimée de Jupiter et eut de ses amours avec lui,
Pan
, Dieu des bergers, dont la naissance est réclamée
e de Nymphes, de Faunes, des Curètes, des Heures, du vieux Silène, de
Pan
et d’Aristée, l’inventeur du miel. Il était monté
Vénus. Nous allons donc actuellement dire quelques mots de Silène, de
Pan
, des Satyres, des Faunes et des Silvains. Silên
rs à la tête des Muses, des Nymphes et de tous les dieux champêtres.
Pan
, dieu des bergers, était après Silène le plus cél
ise joyeuse, par un rire qui fit retentir tous les échos de l’Olympe.
Pan
avait un caractère très amoureux, aussi le voit-o
Narcisse qu’elle aimait ; Pitys également fut l’objet des soupirs de
Pan
, mais elle lui préféra Borée, dieu des vents, leq
de Pan, mais elle lui préféra Borée, dieu des vents, lequel ayant vu
Pan
la tuer en la jetant de rage contre un rocher, pr
étamorphosée en un arbre, qui porte son nom ; cependant il paraît que
Pan
eut pour femme la nymphe Alexirrhoé ou Alenthoé.
appèrent en désordre, et voilà, dit-on, l’origine de la peur panique.
Pan
découvrit en outre Cérès, qui après n’avoir pu ré
l’Arcadie, pendant la guerre des Titans. Les découvertes musicales de
Pan
l’enorgueillirent ; il se crut supérieur au dieu
onie, le défia, et l’on sait ce qu’il en advint pour le pauvre Midas.
Pan
était le dieu des pasteurs, des vallées, des bril
appelé Lupercal, situé au pied du mont Aventin, près du Tibre. Aussi
Pan
, l’ami des loups, et le protecteur contre leurs a
offrir à César, la couronne de Dictateur. Ces Lupercales, ou fêtes de
Pan
, se célébraient chaque année à Rome, le 15 févrie
us ceux qu’ils rencontraient. Malgré ses dédains, Echo rendit le dieu
Pan
, père d’Irinx ou Syrinx, que nous verrons fournir
s fournir à Médée, un filtre dont elle se servit pour séduire Jason ;
Pan
eut encore avec Eumène, nourrice des Muses, le gr
a reine métamorphosée en Grue par Junon, étaient aussi enfans du dieu
Pan
. Ici se borne la fable grecque et romaine mais no
u Pan. Ici se borne la fable grecque et romaine mais nous verrons que
Pan
chez les Egyptiens, tenait un rang plus important
l était en outre le dieu suprême des Pélasgues. Enfin on rattachait à
Pan
, la déesse Latine qui présidait à la destruction
s variétés ; ainsi l’on connaissait les Pans et Egipans, ou enfans de
Pan
, que l’on voyait particulièrement dans les montag
ect, il ne se montrait jamais à son peuple, il fit élever un temple à
Pan
, sur le mont Palatin, fit un dieu de son père, et
aussi le buste d’un homme et les jambes d’une chèvre, il avait comme
Pan
la syrinx ou le chalumeau ou le pedum ou la serpe
appelés Myrmidons. Egipan, cru fils de Jupiter, et d’Ega, épouse de
Pan
, dieu des vergers. Ce fut cet Egipan qui prêta so
phes inconnues deux fils de ce nom : l’un berger de Sicile, apprit de
Pan
à jouer de la flûte et la poësie pastorale des Mu
connue et donnée aussi pour fille à Hercule, avait inventé la lutte ;
Pan
avait pour mère, nous le savons, Dryope ou Pénélo
’Orope un autel qu’il partagea conjointement avec les nymphes, le die
Pan
et Achéloüs. On lui éleva aussi un temple en Argo
nnent par la main ; d’autres fois, elles ont près d’elles Hercule, ou
Pan
ou les Dioscures. Elles passaient pour déesses de
sidice, qui eut Chariclo du centaure Chiron ; Pitys, qui fut aimée de
Pan
et de Borée ; Praxilhée. Salmacis, nymphe de Ca
Dieux ; Syma, amante de Neptune ; Syrinx, fille de Ladon et amante de
Pan
; Théramène, mère d’Astrée ; Thoossa, qui de Nept
Pamphiloque, 126. Pampholyge, 298. Pamphos, 115, 247. Pamylies, 217.
Pan
, 3, 31, 33, 33, 51, 82, 99, 138, 151, 186, 188, 1
ods had seen her. Once, when she came to a hilly forest, she called, “
Pan
! Pan!” and Pan, the god of the animals, came skip
ad seen her. Once, when she came to a hilly forest, she called, “Pan!
Pan
!” and Pan, the god of the animals, came skipping
r. Once, when she came to a hilly forest, she called, “Pan! Pan!” and
Pan
, the god of the animals, came skipping to meet he
s a man’s voice. Altogether it was a strange, uncanny sound, and when
Pan
shouted, he could make a whole army of brave men
n run helter-skelter without any other cause. Truly, a wild being was
Pan
; but when. Ceres called, he hurried to meet her,
ofs, and bounding over the rocks and the streams of water. But though
Pan
was a great god, he could not tell what had becom
h made the city impregnable; carried off by Ulysses and Diomed, 202.
Pan
. God of woods and fields and flocks. Had hoofs an
és comme des Divinités bourgeoises : Ovide les appelle de plebe Deos.
Pan
, Pomone, Flore, Palès, et les autres Divinités ch
ort aux peuples effrayés. (Voltaire.) Divinités champêtres.
Pan
. D. Quel Dieu tenoit le premier rang parmi les
nteur de la flûte, et le Dieu des bergers, des bois et des prairies.
Pan
trouva le premier cet art ingénieux De former sur
e premier cet art ingénieux De former sur la flûte un son harmonieux.
Pan
règne sur nos bois ; il aime nos prairies ; C’est
vancé à la tête des Gaulois, pour piller le fameux Temple de Delphes,
Pan
jeta l’épouvante dans cette armée qui fut taillée
Mercury, to satisfy the curiosity of Argus, related. The Story of
Pan
and Syrinx. Among the nymphs of Arcadia, one
. One day as Syrinx was descending from Mount Lyceus, she met the god
Pan
, a rural deity, who was a great favourite in Arca
met the god Pan, a rural deity, who was a great favourite in Arcadia.
Pan
accosted the modest Syrinx, but she did not reply
d the modest Syrinx, but she did not reply to him; she only ran away.
Pan
ran after her, and, when he overtook her, seized
tead of clasping the youthful Syrinx, he only held a bundle of reeds.
Pan
was grieved at this metamorphosis, but he convert
tirambo intitolato Bacco in Toscana li abbia definiti : « Quella che
Pan
somiglia « Capribarbicornipede famiglia. » Molti
i Greci quanto dai Latini questi si rappresentano simili all’arcadico
Pan
, che aveva volto e corna caprigne, e dal mezzo in
, così è descritto dai poeti. Che se gli Arcadi ingentilirono il loro
Pan
in qualche medaglia, facendolo di coscie e gambe
ciuto dai Greci: con diversità, ne parlarono i Latini: fa confuso con
Pan
; ora guerriero, ora protettore dell’ armento fu c
anche e gambe di capro somigliavano le antiche rappresentanze del dio
Pan
; il nome di Fauni a quelli che coll’orecchie sole
on corna, barba lunga, e stizzoso. Questi due ritratti di Sileno o di
Pan
servono per farceli rico noscere nei monumenti: m
no alcun poco lo sguardo dell’ osservatore. Nelle feste licee del dio
Pan
si usavano simili striscie, colle quali nelle lic
olennità lupercali istituite da Evandro. La connessione di Sileno con
Pan
non ha bisogno di esser provata: il nome stesso d
isogno di esser provata: il nome stesso di Fauno è corrotto dal greco
Pan
, e quel di Sileno competeva, secondo Pausania, a
alle piccole pine o coni contrassegnato. « Era quest’albero diletto a
Pan
duce dei Satiri e dei Fauni, quindi nelle cerimon
diletto a Pan duce dei Satiri e dei Fauni, quindi nelle cerimonie di
Pan
introdotto, ed usato al par delle viti e dell’ede
rent où avait chanté la lyre d’Apollon. Pour la seconde fois le grand
Pan
était mort. Indigné, je me retirai dans ce temple
oût est frère du bon sens, et que l’un ne marche jamais sans l’autre.
Pan
, le flûtiste, et Apollon, le lyrique, disputaient
se couronnoient d’aches. 17. Iunx fut une Nymphe, fille d’Echo et de
Pan
. Junon croyant que par ses enchantemens elle avoi
za delle idee filosofiche; giacchè indotti dal significato della voce
Pan
, che val « tutto », gli Orfici ne fecero un Dio t
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